I accepted the money to save kids, but that’s the only reason. There was also a stage version of “Amélie.” Do you have any thoughts on that? I have a very bad memory for bad things, but for the good stuff, anecdotes and funny stories, I am very good. If you saw “Amélie” you know I am very good at remembering things. It’s like when you eat candies, you cannot stop. If someone reading your article is interested for it in the U.S., my brother, the publisher, would be very happy. You also published a book of anecdotes in 2018 from the making of “Amélie.” If I had proposed a serious documentary about “Amélie,” they would want to produce it. It was going to be cheap to make but they said it’s risky. It would have been so funny because I wanted to make fun of myself in it. He had 82 motors inside to move.Ī few years ago you said that you were thinking of making a documentary about the making of “Amélie.” Is that still happening?Īnother disappointment because nobody wanted to produce it.
But yes, it was such a pleasure to imagine the robots, especially Einstein. I was waiting for money for “Bigbug” and nobody wanted to produce it. Two years ago, a beautiful exhibition of props from our movies in Paris and in Lyon had 180,000 admissions. I don’t know if it’ll be possible with Netflix. I love to imagine these objects because I get to keep them. “Bigbug” has a lot of robots that were physically built. She decides to help those around her and, along the way, discovers love. Your films often feature mechanical gadgets. Comedy Romance Amélie is an innocent and naive girl in Paris with her own sense of justice. He wanted to do that with “Amélie” as well, but he couldn’t because it was such a success. I said, “I won’t change one frame.” So he punished me like he punished everybody. I will ask the framer to put some blue instead.” I refused. He told me, “We will do something better than with ‘Amélie.’ I promise.” But when after some test screenings he was like a gallery owner saying to the painter, “We’re going to modify the green because in U.S. Ĭan you elaborate on what happened with Harvey Weinstein on that film?
Of course he wanted to re-edit, but now it’s fun to imagine him in jail. I remember it took a long time to be released in the U.S. 11, 2022, on Netflix.Yes, it played in a couple theaters in 3-D in 2015. Maybe it's the robots who've got a soul - or not!"īigbug premieres Feb. As the threat draws closer, the humans look elsewhere, get jealous, and rip into each other under the bewildered eyes of their indoor robots. From then on, Amelie dedicates herself to helping others find happiness in the most delightfully unexpected ways. "Locked together, a not-quite-so-blended family, an intrusive neighbor and her enterprising sex-robot are now forced to put up with each other in an increasingly hysterical atmosphere! While, outside, the Yonyx, the latest generation of androids, are trying to take over. A painfully shy waitress working at a tiny Paris cafe, Amelie makes a surprising discovery and sees her life drastically changed for the better. So much so that humanity relies on it to satisfy its every need and every desire - even the most secret and wicked." an official description reads. "In 2050, artificial intelligence is everywhere. The film follows four people whose domestic robots take them hostage during a robot uprising. Dominique Pinon, Elsa Zylberstein, Isabelle Nanty, Youssef Hajdi, Alban Lenoir and Francois Levantal star.īigbug takes place in a quiet residential neighborhood in 2050.
Bigbug hails from Delicatessen and Amélie director Jean-Pierre Jeunet, who co-wrote the film with Guillaume Laurant.
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